Tuesday, February 5, 2019
Comparing Innocence in Grendel, Neil Young and Portrait of a Lady Essay
Fall from naturalness in Grendel, Neil Young and delineation of a doll According to the Bible, matinee idol created man pure and innocent, oblivious(p) to good and evil. The serpent of evil lured them to the steer of knowledge, however, and its fruit proved alike much of a temptation. With a bite, their look... were opened, and the teleph nonpareil line of their lives, and the lives of mankind, were changed (Gen. 6-7, 22). Whether or not whiz accepts the Christian concept of creation, countless whole kit and boodle of art are imitate on this account of the fall from innocence. The bracing Grendel by potty Gardner shows us a side of the beast the epical Beowulf never considered - the child-like innocence forwards the brutality. The song Country Girl by Neil Young is a knotty commentary on the effect the knowledgeable revolution had upon one woman. In addition, The personation of a Lady, a choose by Jane Campion, an adaptation of henry Jamess novel, shows the do wnward spiral of a heady American girl in the late 1800s. These three distinct pieces debase a swath done the art world, representing an established author, a advanced(a) musician, and a feminist filmmaker, save central to their relevance is one news report the fall from innocence. Innocence? In Grendel? Grendel is a monster, right? Wrong, in the eyes of John Gardner. Taking the reference of the Shaper, Gardner makes us see Grendel as an ostracized person, one so lonely he relishes the thought of acceptance, even though the folly of their society repulses him at propagation (Milosh 221). He is just a nave teenager, searching for his role in life. In The Portrait of a Lady (POAL), Isabel is searching as well, travelling where her caprice leads her. Youre drifting off to close to great mistake, her friend Henriett... ... Gardner, John. Grendel. time of origin Books, 1989. Kneubuhl, James P. Written interview. 12 April 1998. Milosh, Joseph. John Gardners Grendel Sou rces and Analogues. modern-day Literary Criticism. Ed. Dedria Bryfonski. Vol. 10. Detroit Gale Research, 1979. 221-222. Portrait of a Lady, The. Dir. Jane Campion. Gramercy, 1996. The portrait of a maam production notes. Online Available http//www.hollywood.com/movies/portrait/text/1.html, April 13, 1998. Strehle, Susan. John Gardners Novels Affirmation and the Alien. Contemporary Literary Criticism. Ed. Dedria Bryfonski. Vol. 10. Detroit Gale Research, 1979. 218 -219. Travirca, Chet. Written interview. 12 April 1998. Young, Neil. Country Girl. Perf. Young, David Crosby, Stephen Stills, and Graham Nash. Dj vu. Atlantic, 1970. Comparing Innocence in Grendel, Neil Young and Portrait of a Lady EssayFall from Innocence in Grendel, Neil Young and Portrait of a Lady According to the Bible, God created man pure and innocent, oblivious to good and evil. The serpent of evil lured them to the tree of knowledge, however, and its fruit proved too much of a temptat ion. With a bite, their eyes... were opened, and the course of their lives, and the lives of mankind, were changed (Gen. 6-7, 22). Whether or not one accepts the Christian concept of creation, countless works of art are patterned on this account of the fall from innocence. The novel Grendel by John Gardner shows us a side of the beast the epic Beowulf never considered - the child-like innocence before the brutality. The song Country Girl by Neil Young is a subtle commentary on the effect the sexual revolution had upon one woman. In addition, The Portrait of a Lady, a film by Jane Campion, an adaptation of Henry Jamess novel, shows the downward spiral of a headstrong American girl in the late 1800s. These three distinct pieces cut a swath through the art world, representing an established author, a modern musician, and a feminist filmmaker, yet central to their relevance is one theme the fall from innocence. Innocence? In Grendel? Grendel is a monster, right? Wrong, in the eyes of John Gardner. Taking the role of the Shaper, Gardner makes us see Grendel as an ostracized person, one so lonely he relishes the thought of acceptance, even though the idiocy of their society repulses him at times (Milosh 221). He is just a nave teenager, searching for his role in life. In The Portrait of a Lady (POAL), Isabel is searching as well, traveling where her caprice leads her. Youre drifting off to some great mistake, her friend Henriett... ... Gardner, John. Grendel. Vintage Books, 1989. Kneubuhl, James P. Written interview. 12 April 1998. Milosh, Joseph. John Gardners Grendel Sources and Analogues. Contemporary Literary Criticism. Ed. Dedria Bryfonski. Vol. 10. Detroit Gale Research, 1979. 221-222. Portrait of a Lady, The. Dir. Jane Campion. Gramercy, 1996. The portrait of a lady production notes. Online Available http//www.hollywood.com/movies/portrait/text/1.html, April 13, 1998. Strehle, Susan. John Gardners Novels Affirmation and the Alien. Contemporary Literary Criticism. Ed. Dedria Bryfonski. Vol. 10. Detroit Gale Research, 1979. 218 -219. Travirca, Chet. Written interview. 12 April 1998. Young, Neil. Country Girl. Perf. Young, David Crosby, Stephen Stills, and Graham Nash. Dj vu. Atlantic, 1970.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment